The old art

The old art refers to the art developed by the old civilizations after the writing discovery and that he/she extends to the fall of the Roman empire of the occident, in 476 d.C, aquando of the barbaric invasions. - Starting from 4000 a.C. in the zone of fork of the river Tiger with the river Eufrates. - Palaces, temples (zigurate), cameras mortuaries (vault and arch). - Marinate, wood, colored brick for decoration. - Illustrations alabaster nuns (hierarchy for height and size of the eyes). Geometric and schematic forms based on the cone and in the cylinder. - Influence in the art of the Assyrian and of Babilónia - Initially in the north zone of the river Tiger, later on he/she extends to empire of great dimensions. Peak among c. 1000 and 612 a.C..
- Temples and monumental zigurates. Brick, also stone in the entrances of the cities and rooms. - Monumental sculpture (guardian demónios), narrative low-relief in great scale. - Influence of the art of Suméria. - City of Babilónia. 1st period with founder of the dynasty babilónica, Hamurabi. 2nd prominence period among 612-539 a.C. with Nabucodonosor (Tower of Babel, suspended of Babilónia Gardens). - Colored glazed brick for decoration of surfaces arquitectónicas. - Representation of the animal illustration. Initially guide it of Mesopotâmia (actual will Go), local of passage of tribes nómadas. - Art ornamental nómada (weapons, cups, vases) in wood, bone, metal. Style animalista, figurative and organic abstracção. - Posterior people heir of the Assyrian empire, conquers of the babilónia in 539 a.C..
- Colossal palaces (several influences, ceremonial and repetitive atmosphere), absence of religious arquitectura. - Sculpture associated to the arquitectura. - During 3000 years to the conquest for Alexandre, the Big in the century IV a.C..
- Monumental Arquitectura (stone), temples, art mortuary, (pyramids, mastabas). - Reliefs and paintings murals associated to the arquitectura, vulto sculpture and colossal, ornamental arts and furniture. - Solemn Carácter with base in rigid canons of representation, symbolism.
- Characteristic style of the people of Celtic language, in Europe (continent and, especially, islands - England, Ireland) that is already developed from the prehistory, - characteristic Style of the Germanic people. To see also: Pré-Romance for the contextualização of the art of the germanos during the migrations of the barbaric people in the Medium Age. Archipelago of Cíclades, Age of the brass (2500-1600 a.C.).
- Objectos in ceramic (vases, chalices, etc) of geometric decoration (lines, curves, spirals). - Small idols in marble of synthetic lines with nose highlighted in relief. - Art cretense (Island of Creta), Age of the brass (2300-100 a.C.).
- Ornamental of harmony painting mural and movement, alive colors and seen frontal associated to the arquitectura palaciana (of informal and practical structure). - Ceramic pieces, little sculpture (small illustrations in clay and terracota, vessels). - Thematic of the quotidiano, animal world (marine), religion (devotiva and ritual). - Aqueus established in Greek territory, Age of the brass. - Main center in Micenas, influence of the art minóica. - Monumental Arquitectura, painting without lightness of the art cretense, thematic military and narrative.
- Art of the fenícios, people of origin semita that colonized the south of the italic peninsula, Sicily, south of the Iberian and north peninsula of Africa, with acme among c. 1000 a.C. and 800 a.C..
- Dedicated mainly to the craft (utilitarian objectos), trade and sailing in the zone of Mediterranean. - Influence of the Egyptian art, egeia, micénica, mesopotâmica and Greek. - People etrusco, area of Toscana, centuries VIII II a.C..
- Art mortuary, cameras tumulares with painting mural, urns, sculpture in sarcophaguses (jacentes), busts. - Ornamental pieces in brass and terracota, joalharia. - Influence of the Greek archaic art. Magna Grécia: Greece, south of Italy, Sicily, century I SAW IV a.C..
- Arquitectura religious person (Temples in stone, orders arquitectónicas), public buildings (theaters etc.).
- Ceramic (with ornamental painting), vulto sculpture (marble, brass). - Art linked to the intelectualismo, the man's valorização, looks for of the perfection, harmony, balance, proportion. Inspiration in the nature, realism. - Thematic mythological, of the quotidiano. To see also: Arquitectura | Sculpture | Painting - Roman Empire, century VIII a.C. IV d.C.. Great influence of the Greek art. - Development arquitectónico with taste for the colossal and magnificente. Public buildings (bridges, aqueducts, termas, amphitheaters etc.), religious basilicas, temples. - Historical sculpture, busts. First artistic expression of the Christians, area of the Roman empire of the occident, Rome, among century III and V d.C..
- Painting mural (fresh) in catacombs, sarcophaguses. - Appearance of the first Christian basilicas after the oficialização of the religion. First artistic expression of the Christians, area of the Roman empire of the occident, Rome, among century III and V d.C..
- Painting mural (fresh) in catacombs, sarcophaguses. - Appearance of the first Christian basilicas after the oficialização of the religion. Christian art of the Roman empire of the east, from the transition of the capital of the empire for Constantinople to its conquest in 1453 for the Turks. - Influence of the Roman art and of the oriental art. - Arquitectura religious person (cupula), painting and mosaic of carácter bidimensional and symbolic (icons).