The original and including definition of art (of the latin ars, meaning technique or ability) it is the product or process in that knowledge is used to accomplish certain abilities; that is the sense used in terms with “martial arts.” But in the modern sense, we can also include the term art as the artistic activity or the product of the artistic activity. What could be the final product of the human manipulation on a raw material any.
Ernst Gombrich, famous art historian, affirmed that: nothing the one that one can give the name of Art exists really. Only artists exist (THE History of the Art, LTC ed.).
That is to say, art is a cultural phenomenon. Absolute rules about art don't survive the time, but in each time, different groups (or each individual) they choose as they should understand that phenomenon.
Therefore Art can be synonymous of beauty, or of a transcendent Beauty. In that way the term starts to have an extremely subjective character, any thing can be called Art since somebody considers like this it, not needing to be limited to the production done by an artist. But as it was mentioned, the dominant tendency is to just consider the term Art related, directly, to the production of the plastic arts.
The art historians try to determine the periods that use a certain aesthetic style for ' artistic movements '. The art registers the ideas and the ideals of the cultures and etnias, being like this, important for the understanding of the Man's history and of the world.
Many artistic forms can extrapolate the reality, exaggerating things usually accepts or simply creating new forms of noticing the reality.
In some societies the people consider that the art belongs to the person that created it. They generally think that the artist used its intrinsic talent in its creation. That vision (generally of most of the western culture) he/she prays that an artistic work is the artist's property. Another way to think on talent is as if it was an individual talent of the artist. The Jewish people, Christians and Muslims generally think in that way about the art.
Other societies exist where the people think that the artistic work belongs to the community. That thought is taken in agreement with the conviction that the community gave to the artist the social capital for its work. In that vision the society is a bus that produces the art, through the artist, that is seen as important for its conception in spite of not possessing the property of the art.
They exist many contradictions with relationship to the honor or the taste for the art, indicating like this the morals type that the society exercises.
It can also be defined, more genericamente, as the field of the human knowledge related to the creation and critic of works that evoke the existence and sensorial, emotional interpretation and intellectual of the life in all its aspects.
Digital art is that produced in atmosphere graphic computacional. It is used of digital and virtual processes. It includes experiences with net art, web art, video-art, etc. He/she has the objective of to give virtual life the things and to show that the art is not only made the hand. Several categories of digital art exist such an as digital painting, digital gravura, programs of modelação 3D, edition of pictures and images, animation, among others. The results can be appreciated in impressions in special papers or in the own atmosphere graphic computacional. Several artists use these techniques. Unlike the traditional ways, the work is produced by digital means. The appreciation of the work of art can be made in the digital atmospheres or in traditional mídias. Now some returned virtual communities exist the popularization of the Digital Art, the largest and more acquaintance is Deviantart.
The area of the visual arts and design is extremely wide. It embraces, essentially, any form of visual representation.
Other dramatic visual forms be include in another categories, as theater, music or opera, in spite of not existing clear border. It is the case of the corporal art and interactive art or even the Movies and the Video.
The arts that usually work with the vision as yours a little main of appreciation be call visual arts. Par excellence, they are considered visual arts the following ones: painting, drawing and gravura. The space arts as the sculpture and the architecture visual arts can be considered, although its raw material is not the bi-dimensional image.
Arts cénicas (or scenic) they are all those that are developed at a stage or local of representation for a public. A lot of times these presentations of the scenic arts can happen in squares and streets. We can say like this also that this stage can be improvised. That is to say, the stage is any local where happens a scenic presentation. Can we highlight the following classes: architecture in the Brazilian graph - (of the Greek arché -???? = first or main and tékton -????? = construction) is it the art or technique of to project and to build the atmosphere inhabited by the human being. When it is spoken in arquitectura it is spoken, among many other things, of the organization of the space. The architecture as human activity exists since the man passed sheltering of the bad weather. A more precise definition of the area involves the whole design of the atmosphere built by the man, what includes from the furniture drawing (I draw industrial) until the drawing of the landscape (paisagismo), of the city (urbanization) and of the area (regional planning), going by the drawing of constructions (considered the activity more common of the architects), as buildings in height, houses, churches, etc. The architect's work involves, therefore, the whole scale of the man's life, from to manual to the urban. The internal space as protagonist of the architecture to Enlarge THE internal space as protagonist of the architecture in spite of the presentation above to be more easily the found in dictionaries, it is possible to describe the architecture in agreement with its raw material: the space, or to be more specific, the internal space. Before building contruções or buildings, the architect works essentially with the construction of the space. This theory was synthesized by the Italian architect Bruno Zevi.
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The first woman to use pants openly in the twenties
Marlene Dietrich was an actress and singer of German origin.
He/she was born on December 27, 1901,com Maria's name Magdalene Von Bosch in Kuestrin (Germany), in the surroundings of Berlin. It died on May 6, 1992, in Paris, France. A Prussian official's daughter, made school of scenic arts and film dumb up to 1930. He/she got married in 1921, with an assistant of called director Rudolf Sieber, being its only daughter's mother, Maria, in 1924. Did he/she use for the first time in the theater to the 23 years of age, doing five years of career turned off to be discovered by the Hungarian director (Austrian?) Josef Von Sternberg that invited her for it played the film he/she Gives Blaue Engel (1930), thrown in Brazil as " THE blue " angel, based on the romance of Heinrich Mann " Teacher Unrat ". It was the first of the 7 films us which Marlene Dietrich and managing Josef Von Sternberg worked together. The others were Morocco (1930), Dishonored (1931), THE Express of Shangai (1932), Blond Venus (1932), THE Gallant Empress (1934) and Satanic Woman (1935). After working with von Sternberg, she went growing in Hollywood, making deeper films and more marcantes. It was invited by Hitler to play films pro-Nazi, but she refused the invitation and he/she became American citizen, which Hitler took as a disrespect for the German homeland, and he called traitor's Dietrich. During the war, Marlene was with the troops allied for the combat places, where she sang to have a good time and to alleviate the soldiers' pain. Honored with medal after the war, Marlene discovered a talent that could explore: its voice. She began like this to sing and to act. Starting from 1951 she begins coming in shows in Las Vegas, in Sahara Hotel. In 1961 she plays a film that breaks barriers and the world collides with a subject that still scared. The film was " Judgement in Nuremberg ", that it was about the holocaust, of the nazismo, and of the tumultuated judgement, that condemned the great Nazi leaders. With world turnês, she visits the whole world, even so it goes back to its homeland, Germany, just in 1962, and its turn didn't please the whole ones, because the remaining Nazi called it traitor in the middle of airport. Marlene had in Berlin one of its best friends, the also talented singer and actress Hildegard Knef. In 1978 Marlene it plays its last film " Just to gigolo ", where contracenou with David Bowie. Even so in that middle time she makes several participations in radios and television programs. But he/she hides in its apartment in Paris, where he/she dies in 1992, to the 91 years of age, of natural causes. Even so comments that Marlene was killed with sedatives exist because I/you/he/she didn't support the fact of aging, others say that she had Evil of Alzheimer, and that it was killed, but nothing that checks those comments doesn't exist. In 2001 it was made a biographical film on the diva, driven by its grandson and with several people's comments that lived together with Dietrich, as its daughter Maria Riva, its nephew, Hildegard Knef, Burt Bacarach, the von son Sternberg, among others. He/she was the first woman to use pants openly in the twenties.
Portugues - Nasceu em 27 de dezembro de 1901,com o nome de Maria Magdalene Von Bosch em Kuestrin (Alemanha), nos arredores de Berlim. Faleceu em 6 de maio de 1992, em Paris, França.
Filha de um oficial prussiano, fez escola de artes cenicas e filmes mudos até 1930. Casou-se em 1921, com um ajudante de diretor chamado Rudolf Sieber, sendo mãe de sua unica filha, Maria, em 1924.
Estreou no teatro aos 23 anos de idade, fazendo cinco anos de carreira apagada até ser descoberta pelo diretor húngaro (austríaco?) Josef Von Sternberg que a convidou para protagonizou o filme Der Blaue Engel (1930), lançado no Brasil como "O anjo azul", baseado no romance de Heinrich Mann "Professor Unrat". Foi o primeiro dos 7 filmes nos quais Marlene Dietrich e o diretor Josef Von Sternberg trabalharam juntos. Os demais foram Marrocos (1930), Desonrada (1931), O Expresso de Shangai (1932), A Vênus Loira (1932), A Imperatriz Galante (1934) e Mulher Satânica (1935). Depois de trabalhar com von Sternberg, ela foi crescendo em Hollywood, fazendo filmes mais profundos e mais marcantes.
Foi convidada por Hitler para protagonizar filmes pró-nazistas, mas ela recusou o convite e se tornou cidadã americana, o que Hitler tomou como um desrespeito para a pátria alemã, e chamou Dietrich de traidora.
Durante a guerra, Marlene foi com as tropas aliadas para os lugares de combate, onde cantava para divertir e aliviar a dor dos soldados. Condecorada com medalha após a guerra, Marlene descobriu um dom que poderia explorar: sua voz. Assim ela começou a cantar e atuar.
A partir de 1951 ela começa a se apresentar em shows em Las Vegas, no Sahara Hotel.
Em 1961 ela protagoniza um filme que quebra barreiras e choca o mundo com um assunto que ainda assustava. O filme era "Julgamento em Nuremberg", que tratava do holocausto, do nazismo, e do tumultuado julgamento, que condenou os grandes líderes nazistas.
Com turnês mundiais, ela visita o mundo todo, porém volta para sua pátria, a Alemanha, apenas em 1962, e sua volta não agradou a todos, pois os nazistas remanescentes a chamaram de traidora em pleno aeroporto.
Marlene tinha em Berlim uma de suas melhores amigas, a também talentosa cantora e atriz Hildegard Knef.
Em 1978 Marlene protagoniza seu último filme "Just a gigolo", onde contracenou com David Bowie. Porém nesse meio tempo ela faz várias participações em rádios e programas de televisão. Mas esconde-se em seu apartamento em Paris, onde morre em 1992, aos 91 anos de idade, de causas naturais. Porém existem comentários que Marlene se matou com calmantes pois não suportava o fato de envelhecer, outros dizem que ela tinha Mal de Alzheimer, e por isso se matou, mas não existe nada que comprove esses comentários.
Em 2001 foi feito um filme biográfico sobre a diva, dirigido pelo seu neto e com comentários de várias pessoas que conviveram com Dietrich, como sua filha Maria Riva, seu sobrinho, Hildegard Knef, Burt Bacarach, o filho de von Sternberg, entre outros.
Foi a primeira mulher a usar calças publicamente nos anos 20.
The first woman to use pants openly in the twenties
Marlene Dietrich was an actress and singer of German origin.
He/she was born on December 27, 1901,com Maria's name Magdalene Von Bosch in Kuestrin (Germany), in the surroundings of Berlin. It died on May 6, 1992, in Paris, France. A Prussian official's daughter, made school of scenic arts and film dumb up to 1930. He/she got married in 1921, with an assistant of called director Rudolf Sieber, being its only daughter's mother, Maria, in 1924. Did he/she use for the first time in the theater to the 23 years of age, doing five years of career turned off to be discovered by the Hungarian director (Austrian?) Josef Von Sternberg that invited her for it played the film he/she Gives Blaue Engel (1930), thrown in Brazil as " THE blue " angel, based on the romance of Heinrich Mann " Teacher Unrat ". It was the first of the 7 films us which Marlene Dietrich and managing Josef Von Sternberg worked together. The others were Morocco (1930), Dishonored (1931), THE Express of Shangai (1932), Blond Venus (1932), THE Gallant Empress (1934) and Satanic Woman (1935). After working with von Sternberg, she went growing in Hollywood, making deeper films and more marcantes. It was invited by Hitler to play films pro-Nazi, but she refused the invitation and he/she became American citizen, which Hitler took as a disrespect for the German homeland, and he called traitor's Dietrich. During the war, Marlene was with the troops allied for the combat places, where she sang to have a good time and to alleviate the soldiers' pain. Honored with medal after the war, Marlene discovered a talent that could explore: its voice. She began like this to sing and to act. Starting from 1951 she begins coming in shows in Las Vegas, in Sahara Hotel. In 1961 she plays a film that breaks barriers and the world collides with a subject that still scared. The film was " Judgement in Nuremberg ", that it was about the holocaust, of the nazismo, and of the tumultuated judgement, that condemned the great Nazi leaders. With world turnês, she visits the whole world, even so it goes back to its homeland, Germany, just in 1962, and its turn didn't please the whole ones, because the remaining Nazi called it traitor in the middle of airport. Marlene had in Berlin one of its best friends, the also talented singer and actress Hildegard Knef. In 1978 Marlene it plays its last film " Just to gigolo ", where contracenou with David Bowie. Even so in that middle time she makes several participations in radios and television programs. But he/she hides in its apartment in Paris, where he/she dies in 1992, to the 91 years of age, of natural causes. Even so comments that Marlene was killed with sedatives exist because I/you/he/she didn't support the fact of aging, others say that she had Evil of Alzheimer, and that it was killed, but nothing that checks those comments doesn't exist. In 2001 it was made a biographical film on the diva, driven by its grandson and with several people's comments that lived together with Dietrich, as its daughter Maria Riva, its nephew, Hildegard Knef, Burt Bacarach, the von son Sternberg, among others. He/she was the first woman to use pants openly in the twenties.
Portugues - Nasceu em 27 de dezembro de 1901,com o nome de Maria Magdalene Von Bosch em Kuestrin (Alemanha), nos arredores de Berlim. Faleceu em 6 de maio de 1992, em Paris, França.
Filha de um oficial prussiano, fez escola de artes cenicas e filmes mudos até 1930. Casou-se em 1921, com um ajudante de diretor chamado Rudolf Sieber, sendo mãe de sua unica filha, Maria, em 1924.
Estreou no teatro aos 23 anos de idade, fazendo cinco anos de carreira apagada até ser descoberta pelo diretor húngaro (austríaco?) Josef Von Sternberg que a convidou para protagonizou o filme Der Blaue Engel (1930), lançado no Brasil como "O anjo azul", baseado no romance de Heinrich Mann "Professor Unrat". Foi o primeiro dos 7 filmes nos quais Marlene Dietrich e o diretor Josef Von Sternberg trabalharam juntos. Os demais foram Marrocos (1930), Desonrada (1931), O Expresso de Shangai (1932), A Vênus Loira (1932), A Imperatriz Galante (1934) e Mulher Satânica (1935). Depois de trabalhar com von Sternberg, ela foi crescendo em Hollywood, fazendo filmes mais profundos e mais marcantes.
Foi convidada por Hitler para protagonizar filmes pró-nazistas, mas ela recusou o convite e se tornou cidadã americana, o que Hitler tomou como um desrespeito para a pátria alemã, e chamou Dietrich de traidora.
Durante a guerra, Marlene foi com as tropas aliadas para os lugares de combate, onde cantava para divertir e aliviar a dor dos soldados. Condecorada com medalha após a guerra, Marlene descobriu um dom que poderia explorar: sua voz. Assim ela começou a cantar e atuar.
A partir de 1951 ela começa a se apresentar em shows em Las Vegas, no Sahara Hotel.
Em 1961 ela protagoniza um filme que quebra barreiras e choca o mundo com um assunto que ainda assustava. O filme era "Julgamento em Nuremberg", que tratava do holocausto, do nazismo, e do tumultuado julgamento, que condenou os grandes líderes nazistas.
Com turnês mundiais, ela visita o mundo todo, porém volta para sua pátria, a Alemanha, apenas em 1962, e sua volta não agradou a todos, pois os nazistas remanescentes a chamaram de traidora em pleno aeroporto.
Marlene tinha em Berlim uma de suas melhores amigas, a também talentosa cantora e atriz Hildegard Knef.
Em 1978 Marlene protagoniza seu último filme "Just a gigolo", onde contracenou com David Bowie. Porém nesse meio tempo ela faz várias participações em rádios e programas de televisão. Mas esconde-se em seu apartamento em Paris, onde morre em 1992, aos 91 anos de idade, de causas naturais. Porém existem comentários que Marlene se matou com calmantes pois não suportava o fato de envelhecer, outros dizem que ela tinha Mal de Alzheimer, e por isso se matou, mas não existe nada que comprove esses comentários.
Em 2001 foi feito um filme biográfico sobre a diva, dirigido pelo seu neto e com comentários de várias pessoas que conviveram com Dietrich, como sua filha Maria Riva, seu sobrinho, Hildegard Knef, Burt Bacarach, o filho de von Sternberg, entre outros.
Foi a primeira mulher a usar calças publicamente nos anos 20.
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